This is a dodgy Spider:
http://www.rmsothebys.com/mo11/monterey/lots/1954-lancia-aurelia-b24-spider-america/1057402Sold in the UK at a regional auction as a project, with Omircon clearly stating the the car had been re-bodied in aluminum. Purchased by someone in Central America who had been involved in defrauding a billionaire over teak plantations, but now wanted to get into the restoration business. Car was heinously restored. Somehow this person was allowed to craft his own bogus auction catalog listing - the resulting fracas ensured the creation of a new department for research at this auction house. You can guess why this car appeared back at auction last year - and your guess would be correct. You can also guess why, when correctly described, it did not sell. You have a possibly original chassis here, with a repro body in non-original metal type, with almost most corrupted restoration I have seen on a Spider since the early 1980s. This metalwork was apparently done in the UK in the 1980s - what is possible now can be imagined.
There is at least one B24 Convertible which was totally reconstructed out of perhaps a 10% salvageable body shell discovered near Trieste, the work was done in "Northern Europe". In 2007 when I saw this and pointed out publicly that the car was a replica, I was castigated online by loyalists of this shop who insisted that the car was original, despite being 90% new.
There are at least several people in Europe capable of completely re-creating an Aurelia B24 or B20 now. I have no problem with these "outlaws", but why destroy an original car in reasonably solid condition? Someone with enough money to pay for this, and a clear view of the capabilities now existing would be much better served to just build a new bodyshell. The mechanical parts are available, I have seven B20 and B24 motor "cores" sitting in my garage at the moment, all of which would love to be repurposed in this way. And Flaminia engines and transaxles are even easier to source.
This is something like taking an original Rodin bronze and "improving" it for your own pleasure. Why would you ever do that, as opposed to recasting it, which is routinely done? Makes absolutely no sense.