I had the pleasure yesterday of the opportunity to ask this question of Peter Gerrish. Peter’s immediate answer confirms Ben’s suggestion that the works originally used these ‘lands’ (my term) for material to be removed for rough balancing, with fine balancing done by removing metal more selectively elsewhere. Peter also said that Series 1 rods were different – they didn’t have these lands and balancing was achieved by removal and polishing wherever needed.
Colin
Peter made a Betty Rees trophy specially for Fulvia 50 in 2013 that was presented to myself, part of the trophy is a con rod mounted to a block of wood, this must be a series 1 con rod as although it has the slot, there is no excess of material and the top is rounded.
Brian
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